The Classic Crime is no stranger to creating thought provoking music. As a fan, I have been following them since the days of Albatross, and it is their ability to foster meaningful dialogue through their songs on everything from relationships to hardship and spiritual longing that keeps me coming back for more.
Which brings me to their latest release, How To Be Human. Sonically this album reminded me a lot of Albatross, only with notes of their previous release Phoenix lending it a more brooding and mature tone. It feels to be something of a fusion of past and present, with some creative undertones helping it to feel fresh and progressive at the same time (thanks mostly to some inventive layering of the guitar in a synth like fashion, giving depth to the song structure).
But it is the album narrative that really holds these songs together. The songs come across as a collective allegory, one that alludes to something more definitive, more intentional than the allegory itself. They exude a longing to express something that perhaps couldn’t be expressed in words alone, and in a world full of singles and songs and on the spot streaming, this kind of album first approach feels refreshing. It tells a story from start to finish, with each track connecting to the next by interweaving some rather strong imagery, evoking the idea of a spiritual journey. More so, with so much time existing between albums (relatively speaking), it felt like these songs were, in some form or another, a lyrical representation of a much more personal journey that the band (or members) themselves had been on over the last number years.
For me, the journey is always worth exploring, and thankfully a recent interview helped to shed some light on some of what I had been feeling over some early listens, revealing the experiences that helped give shape to this album over time.
The first song, Holy Water, invites us on a journey out to the outer edges of the universe and to beginning of time itself, all in an effort to give us some perspective for the story that is still to come. There is a struggle that remains evident throughout this song, one that tries to see the good in a world that sometimes seems so full of brokenness, a world that some of us have been taught to “see” as evil. It is in the midst of this struggle that the song calls us towards a moment of stillness, a chance to turn our gaze upwards and outwards so as to gain a broader and more inclusive view of the world in which we live. And as we learn to see the world from this vantage point , we also begin to see the world through the eyes of the Creator, a creator that continues to declare all of this to be “good” in the midst of the struggle. And if all is good, if God is good, then you are also seen through “his (good) perspective”. I am a part of his good perspective. The brokenness is a part of his good perspective.
This line really shook me. If only I could change my own perspective. If only I could learn how to embrace the struggle rather than reject it.
Yet far too often I simply give in to the incomprehensible, the confusion, the competing forces that battle for my attention every single day. I give in to the need to simply escape rather than embrace.
But there is hope. There is freedom in the words of these songs. By seeing the good in the world I can free myself to be the good in this world. As the words go on to declare, “You are alone, But you are alive.” I am alive. I am alive, and it is this alive-ness that connects me to something far greater than I can imagine in my limited capacity, from my single, shallow vantage point. It is this Holy Water, this Holy perspective that holds all of us together, that binds us as that which is good. And as I lift my eyes upwards and take the opportunity to realign my own perspective with that of the Creator, I find myself finally able to join in the chorus- all is good.
In the interview, singer Matt MacDonald describes the moment he penned these lyrics. He found himself under the vast loneliness of the midnight sky, stopped at a light in the middle of an empty street and soaking in the silence. He was completely alone. And it was in this moment that he had this sudden realization. Call it a revelation or epiphany if you will. He was struck by the bigness of it all set against the stillness and aloneness of the moment, and it realigned his perspective of his own personal journey. It was a moment in which he lifted his eyes upwards and found the courage to look back out on a broken world rather than escape it, and what he found was something good, something Holy, something that is being redeemed. He helped to remind me that I am also able to embrace the brokenness, because it is a part of being redeemed.
It is out of this revelation that we arrive at my favourite song on the album, Not Done with You Yet. As the words declare, “Life Is senseless, (but) I try to make sense of it.”
Matt describes the journey towards this album as a season of “deconstructing” his faith and (attempting) to put it back together. Having been down this road myself, I feel I am able to resonate with this journey. It is a process that can lead you towards some very dark places. At times I know I felt I was losing my grasp on everything that once made sense in this world. It was a time when I felt more lost than found. And perhaps the hardest part about taking this journey is just how lonely it makes you feel. You feel like you don’t truly belong anywhere. You struggle with the faith of your past and all the certainty it once held, but in doing so you are also confronted with the realization that you also don’t belong in a world where even the mere mention of “god” renders you irrational and intellectually void.
Deconstruction strips you bare. But for as painful and as hard as this process is, it also offers the opportunity for more honest introspection. There is opportunity to grow, to gain strength, and not just as a person, but as a person of faith. When you have nothing left to lose, the potential to gain increases immensely. And while it is often hard to see the light in the middle of the dark, the message that I find in this album is that hope is still present. And as I came to realize, God is still present. My faith might not look the same as it was- and thank God for that- but in many ways it is now much richer for it.
And so, as the words of this song continue to pierce through the darkness, “I am not done with you yet” resonates through the uncertainty. It reminds me that this forming and shaping and strengthening is a lifelong process, one in which my willingness to fall also allows me to be “lifted” daily. And, through it all this song guides me towards a prayer, a prayer for the courage to allow myself to fall and to be lifted even in these moments today:
“I met him there
And I was scared
And so I asked God if he could fix my flaws
And he said I gave them to you
I know they are killing you
(But) I am not done with you yet
“And I’m not fine
Because I spent ten years on the road
That made me different
I created new patterns of thought
Got a new perspective
I was just once an immigrant son of a silenced preacher’s wife
But black and white both died
So I asked God if he could fix my heart
He said I gave it to you
I know it’s broken in two
(But) I am not done with you yet.
This album gets really dark. It reaches into the depths of the de (re) construction process, and the song Wonder is about just how low it can get. It brings us face to face with the most honest question that flows out of being stripped bare- Have I gone too far? Can I ever go back? Perhaps I have lost it all in the process.
And yet, thankfully there is a “but” that breathes through each of these songs, an interruption of the despair that ends up speaking much louder and far more powerfully than the questions. It comes in the way of an invitation to stop “sleeping in the shadows” as the song Ghost says, and to open our eyes to the opportunity to see the idea of god anew, in a new light if you will, a light that provides us with new and wonderful “shades of green” in place of the black and white that once limited our perspective.
“I want different shades of green
Let the wilderness teach me something
Different shades of green
I want different shades of green
I want to imitate the mystery
Different shades
Different shades of green”
This is what it means for me to imitate the mystery, to gain God’s perspective. For me, this idea that God stands above and over all good things, inviting me to see from His perspective, has been a crucial part of my own journey in and out and back into faith. The metaphor of “shades of green” uses the idea of a biological construct to enable us to see our world a bit broader, a bit clearer than we otherwise would if we had remained unaware. In biology, green arrives in more shades than any other colour, precisely because it is the image of life, the sign of something good. In the midst of all the struggle, we are given eyes to see that we are surrounded by the good, the green. We simply need to learn to see the shades.
Being challenged in our faith doesn’t have to mean losing everything. And in-fact, as the song says, in some sense it can allow us to rediscover what we knew all along. It might not look exactly like we once thought all those years ago, but in many ways it is something even better than we imagined. It is this thought that keeps me searching for truth in my own life. It is this thought that reminds me that growing in my faith might be challenging, but it doesn’t have to be defeating. As the song More declares so wonderfully, we can continue to sing,
“And I still want more
Until I hear the trumpet sound
Until my body is in the ground
(I want more) Until I finally find the source
I want more”
It is this idea that God is not done with me yet, that all good things are being restored, that keeps me moving forward, that keeps me wondering and wandering and looking and searching. It is this idea that keeps my eyes and ears and heart open to the more that God has in store for my own life, for this world in which I live.
And in understanding this, I have come to accept that confidence is not the same as certainty. The confidence that hope remains, that there is something worth searching for, allows me to move forward in my uncertainty. And truth be told, it is by letting go of my need to be certain that I have gained so much more confidence to live out of god’s perspective of my life, of our world.
So “Hold on and Let Go”. Embrace what this world has in store, live through the fear and the joy. Embrace the shadows and find the light in the darkness.
The album ends with a sort of haunting repetition of the imagery that the album narrative has helped me to imagine.
“Saviour save me”.
The minute these words ring out, we find ourselves back at the beginning, with the haunting question, but “Am I alone?” The thought lingers after the final note without resolution. Which is the point of this journey, I think. It is about moving forward even when we can’t see what lies ahead. Holding on to faith, holding onto hope in the midst of my questions and struggles. Surrendering my questions to the places in which they lead me. And as this album helps remind me of the perspective I have gained (and lost) along the way of my own journey, on the way of learning how to reach out to the edges of the universe so as to see the world through the eyes of my Creator, I have learned to rest in the promise that all is good, that all will be restored. This has become my hope and my prayer.
I will continue to pray that God grant me more clarity as the days move forward, and the courage to give myself over again and again to the idea that God is not done with me yet. I am alive. I am good. And I can become the good in this world.



There definitely seems to be a lot riding on this film- the hopeful success of a female driven superhero film, salvaging D.C.’s reputation (although I have been a fan of most of their films), and living up to plenty of months of built in anticipation. But, in my opinion, Wonder Woman is still the best part of Batman V Superman, and there is no reason to believe that it won’t deliver on the promise of it’s impressive trailers. The sheer scale of this film, considering it really is the first true on-screen adaptation of her origins story, bumps it above Spiderman: Homecoming on my list, which, if you know anything about my obsession with our friendly neighborhood web slinger, is no small feat.
Tons of buzz, an incredible cast and a stellar trailer combine to put this one near the top of my list. I am neither here nor there on director Edgar Wright (some of his films I really love, others I can leave), but from everything I have read, Baby Driver brings together all of his best attributes. And as a wholly original summer blockbuster, I think it will be a welcome addition to the summer, 2017 film season, and not to mention the stellar soundtrack it brings in tow (don’t look now Guardians).
Being unfamiliar with the source material (it is based on a comic book series), my early thoughts on this film wager a guess that it will end up being something of a mix of Lucy’s sci-fi renderings and the more kid friendly Arthur and the Invisibles, both previous projects of director Luc Besson. In any case, the film certainly looks visually enchanting.
In the midst of some much anticipated on-screen summer fun comes a compelling, true-life drama film that promises us a chance to also engage in some important conversation. Telling the story of Detroit in the summer of ’67, this dramatization of the civil unrest that shook this infamous city (and more importantly, the city-zens) has been receiving a ton of positive buzz. As a fan of Detroit and a purveyor of its history, this is one film that I hope will find an audience in the heated months of the summer of 2017. And given that it comes from the academy award winning director of The Hurt Locker and the gritty Zero Dark Thirty (Kathryn Bigelow), there is no reason to believe that it won’t.
Not much to say about this one, except that it just might represent one of the strangest and most artsy trailers of the 2017 summer movie list. It’s hard to know exactly what this small, low budget project is about, but two things have me intrigued-
Early reviews suggest this will be yet another successful project from this up and coming director (also of Sons of Anarchy fame), who seems to be cementing his place among the best of a new crew of younger-generation filmmakers.
The Dark Tower
Summer doesn’t normally see much in the way of the horror film, but this year there seems to be quite an onslaught of intriguing instalments (including Annabelle, Amityville, and Wish Upon). It is, however, the upcoming release of It Comes At Night that has me most intrigued. I think this film could help cement the idea that horror can indeed thrive in the middle of the summer blockbuster season. It arrives with tons of promise and plenty of early buzz, and from what I can see is set up well to follow on the heels of the incredible success of “Get Out”.
The House
A ridiculous premise that I still feel compelled to watch. One reason for this could be the presence of John Goodman, but I do have to balance this with Bruce Willis, who has apparently given himself over to a perpetual state of self-parody at this point in his career. Although if the upcoming Unbreakable sequel can help prove anything, in the right movie even Bruce Willis can be compelling.
Most people I know have already written this one off. I am not sure why. Maybe because it feels easy to lump it in the company of past failures (anybody remember The Huntsman?). But it does have Guy Ritchie and Charlie Hunnam involved, which is more than enough to have me intrigued.

A relative latecomer to the whole fast and the furious franchise- I saw the first one and abandoned it after the third- some early aversion, or at least apathy towards these adrenaline-fueled on-screen adventures, had convinced me that these films were far more mindless than fun.
Which leads me to the question- as the latest installment in the long-running series, does Furious 8 have any gas left in the tank as it forges forward in the absence of Paul Walker? The answer to this question is a definitive “yes”, at least on the level of pure spectactle. It manages to find a way to kick this franchise up another notch, which is no small feat given that it has already sent cars parachuting off cliffs and jumping through buildings. As one critic suggested, if Fast 8 is anything, it is absolutely bonkers.
These are two guys that really understand which movie they are in.
Dominac is, after all, still driving the heart of the story. This time it revolves around the question of whether Dom has turned bad or not. And as we begin to discover the answers to this question, it becomes increasingly difficult not to wonder whether Diesel will (or should) end up riding off into the sunset at some point in the near future. We get this sense already in some of the later films in the franchise, but here it seems like the horizon is that much closer. Even the title hints at some sense of finality, and Dom’s character would be the most likely choice to bring to a close.



There was also something we passed in the town called “Oof-da Tacos” that apparently sells Elephant Ears, but they are only open in the summer. I was, however, able to sneak a look at the world’s largest Pike, so that made up for it.


The modest population of today might hide this past, but one can still see signs of its potential underneath the exterior, such as the mansions and castles that showcase the fact that Duluth was once home to more millionaires per capita than any other city in the nation, and one article says possibly even the world.
a beacon of opportunity for the rest of the nation to heed and to follow, the real allure of Duluth today, this “zenith city of the unsalted seas”, is now its modesty and its sense of escape. The famous Split Rock lighthouse that dots the North Shore Drive now shines a light on a different kind of rat race, a different way of life; and it appears to be paying dividends as it is attracting more and more young people to call it home. Just 3 years ago it earned the nod as the #1 spot to live on Outdoors annual Best Places to Live in the U.S. list.
If the port defines the city’s past and character, Canal Park affords it culture and a future. This is where you find the nightlife, a social hub of activity. The opportunity to stroll up and down these streets to visit shops, restaurants, and coffeehouses (the local roaster Duluth Coffee Company is recommended), is now a favorite city past time. It is here where culture and nature meet, which is an essential part of the Duluth experience.





He came into our lives two years ago via international adoption, and a part of what inspired this trip was the opportunity to reconnect with an old friend who had shared a room with him during his time at the orphanage. That he now lived so close to us was an exciting revelation, and so this special young man that we now have the privilege of calling our son was also given an opportunity on this trip to reconnect with a piece of his past.